Wednesday, 6 June 2018

All change!

Well, here we are at a time of transition. My first four novels have all been horror thrillers for grown-ups, and my next novel is due out in September, under the different moniker 'SA Patrick'.

It's a children's book, being published by Usborne.

When I tell people that, they tend to look puzzled. Given my love of cosmic horror, maybe they expect this:



(Thanks to my daughter for that one!)

What they're actually going to get is this:



A Darkness of Dragons. It's based in the world of the Piper of Hamelyn, and it's firmly a tale of Adventure. Horror creeps in here and there, but then that's the way it should be. What kind of adventure has nothing scary in it?

I'm not sure that 'Adventure' is counted as a book genre, but genres are tricky things. When my first book Reviver came out, I'd often be asked which genre I thought it belonged to - Horror or Crime. "Thriller," I'd suggest, but that didn't seem to count. Crossovers had to be put in their place!

Maybe there's a book equivalent of the OCEAN personality traits (you know, the Big Five traits that gives Facebook a scary insight into who you are, just because you did that stuff about what kind of pasta you love and which My Little Pony you are). I know that Adventure would be one of the traits. I'm not sure I could get it down to five, but I think it'd be easier to find agreement. And who knows, it might even prove more useful than genre.

Back to the new book, though! Publication day is only a few months off. Preview copies have been sent out into the world, and the nervous wait begins to see what people make of it. Because for a writer, that's the most terrifying part of the publishing process.

I'll sit here and chew my fingernails for a while, if I may...

Monday, 25 July 2016

Will Write For Food


Writing for a living is precarious.

When you’re working full-time, the extra money that comes from selling a book seems huge. Before I took the plunge as a full-time author, I had a stable job – one I enjoyed – as a games programmer. With a stable job, you know what you’re earning; you know what you get each month; you know that it’ll keep on coming.

Every year you hope for a raise, that little salary bump which, spread over twelve months, is a pittance – but it’s a pittance that means far more than the actual amount. Because it’s extra!

Just imagine what selling a book is like! It’s bigger than any bonus you’ve ever had, sums of money that mean you can afford the luxuries like, er, paying off your credit cards, having a decent holiday, finally getting a new car, or simply having a financial cushion you’ve never enjoyed before. Selling a book – and I mean the less-than-your-annual-salary reality, rather than the buy-an-island dream – changes your life in many ways. Your hard work is rewarded. Stick on your slippers, pat yourself on the back.

Taking the leap into writing full-time turns it all on its head. The money from writing isn't a bonus any more - it's all you get. It's food, it's rent. Payment is irregular. The schedule isn’t under your control. Things you rely on get delayed. Things you hope for don’t materialise.

Everybody – agent, editor, publicist, neighbour – warned me it would be hard. When I decided to do it, I only had the courage because I knew I could get back into programming if I had to.

Since Reviver came out in 2013, I’ve had a book published each year. Not this year, though, and that makes for some difficult choices – especially as, after much to-ing and fro-ing, the movie option for Reviver wasn’t renewed.

Reviver book 3 is nearly done (for release next year) and there are other projects in the pipeline, but this business is not a speedy one.

The prospect of a proper job looms.

I know I’d enjoy a coding job, but that’s not the point. Inevitably, it will take time and energy away from my writing. I’ve had the opportunity to be a full-time author, and I don’t want it to stop. Not yet. Not if I can help it.

You see, everyone told me how hard it would be, but I hadn’t quite expected to love it so much. I'll write for food, for as long as I can.



I still have a few dice left to roll. Wish me luck!



Fun with Rockets


On a brighter note, even though this year has been complicated I’ve had a few successes. One of these has come as the result of a writing incentive, a reward for hitting my daily writing quota: I allowed myself to work on another project.

What kind of project? Well, I spent 13 years as a games programmer, writing as a hobby. So there’s a certain twisted glee that, as a full-time writer, I’ve been writing a game as a hobby. Partly, I needed to make sure my coding skills hadn’t atrophied, but it turned out to be a great incentive to get the words on the page.

What kind of game? Given that all my novels have been supernatural horror, you might expect some horrible bowel-churning terror. But no.

Actually: colourful puzzle game for all ages.

It’s called Rocket Stage Boost, it’s finished, it’s free, and I’ve put it out on Google Play. (Yeah, sorry IOS folk, but I don’t have a Mac to compile it on.) There are ads, of course, but do give it a go, and naturally give it a five-star rating WHATEVER YOU THINK OF IT! (This is Google Play, after all, where anything below five stars means ‘rubbish’.) A warning, though. If like me you’re a bit OCD, you might find it a weeny bit addictive.

In a way, this game brings me full circle. Before I wrote Reviver, I’d always wanted to write a novel, and it had always evaded me. After plenty of false starts, at last I came up with something I saw through to the end.

But I’d also always wanted to create a game. It had always evaded me. And after plenty of false starts…




Monday, 20 July 2015

Lost Souls, and movie news...


Yes, it's been a while since I last added to my blog. Eight months! And in that time, the final final touches were added to Reviver book 2, which is now called Lost Souls, and the cover is below:

 
 
Release dates are a little complicated, as it's being published first in paperback in the UK on August 13th, but in the US it'll be out in hardback on November 3rd. Apologies to US readers for the three-month wait, which can only be put down to the unfathomable mysteries of publishing.

What can you expect in the new book? Compulsive reading, that's what!

And what have I been doing all year? Well, I've just moved house, and we're now in beautiful Cornwall, in the early stages of recovering from the trauma that house moves always bring. Beyond that, I've been spending my time on a handful of future projects, while grappling with the novelisation of The Returned season 2. With luck and a following wind, I'll get that finished in the next few weeks, and get to work on Reviver 3.

Now, movie news! Or at least, the imminent arrival of movie news. What little I know: a new Reviver script has just been delivered, and decision time approaches. A nervous couple of weeks lies ahead... I don't know who Legendary has entrusted the job to, but good luck to 'em.

All my fingers and toes are crossed, which makes typing hard; the last time I was this stressed, it was when Reviver was being hawked around publishers. Right now, though, all I can do is wait.

Monday, 24 November 2014

Reviver Book 2... finished! (ish)

I put the finishing touches to Book 2 last week, you may be glad to hear. All done!

Well. Um. Not quite, let's be honest, but it's off to the copyeditor now, meaning it'll come back with a few queries, lots of small fixes, and probably a humungous plot hole or two being flagged up.

So it's finished except for one more very precise edit and then the page proofs, meaning I only have to go through the entire novel with a fine tooth comb at least twice more.

There has to be a writing adage that if you don't think your book is among the worst ever written, then you should probably do a few more drafts, because by the time it's printed a writer (a conscientious one, anyway) will have read it a dozen times. At least. (Much of which is rereading variations of the same paragraph as you tweak and rewrite and cut and...)

I can think of only one novel I've ever read twice, and I really can't imagine reading something twelve times through choice, let alone in such a short space of time. It's a painful part of the process, believe me, but the ultimate reward gets closer at every stage.

Now that I've been a full-time writer for a year, my daughter (who has similar aspirations) asked me how I felt about it.

Being a writer, I told her, is somewhere between 'dreaming awake' and 'stabbing yourself in the eye'.

I'm sure she thought I was being my usual tongue-in-cheek self, but in the final stages of a book it feels pretty damn true.



The working title for the book was Acolyte; the actual actual title has now been chosen, but I'll hold off telling you that until there's also a cover. Publication will be late Spring or early Summer next year.

You want to know a little about it, eh? Be patient!

Right now, I have to get started on Book 3. Also, The Returned book 2 will kick off when I get the super-secret scripts for season 2 in the new year. I may not sleep much...

Friday, 31 October 2014

I Scry With My Little Eye


A fun experiment for all to try!

You’re bored, right? How about a dare? How about you look into a mirror on Halloween night and say something creepy? Maybe the Lord’s Prayer backwards? Or just say 'Bloody Mary' five times?

No? What, you think you're going to see something scary? Go on. I double dare you.

See, the thing is… It works. It really does.

I tried it.


First: the science bit

Your senses can be a terrible way to judge truth. It’s hardly news, but here are some of my favourite visual illusions to illustrate just how bizarre yet compelling these illusions can be...

In this one here, keep your eye on the cross and watch as the lilac circles vanish, and all that is left is a moving green circle that IS NOT REALLY THERE.

Next one! Stare at the centre of the image and move your head closer to the screen and further away, and remind yourself that it is a static image, not an animation.

Finally, watch the middle of the spiral for 30 seconds or so, and then look at something else. Your own hand, maybe. Do not freak out. Your hand is fine.

I’m guessing someone has made Halloween-themed versions of these. (And if not WHY NOT?? Slackers!) Clearly anyone of a ridiculously credulous and superstitious nature would be exposed to some severe heebie-jeebies as a result.

But hold on! Don’t think yourself immune just because you don’t consider yourself ridiculously credulous and superstitious - after all, nobody thinks of themselves that way. Ten minutes of being locked in the dark with some unknown thing, and most of us would crumble.



Fun for all the family

So, we come to the meat of our meal: Bloody Mary, the traditional ‘game’ of looking into a mirror in a dark room and scaring the bejeezus out of yourself. In some tellings, it’s no less than the devil who will appear behind you, ready to take your soul.

How old the Bloody Mary tradition is I don’t know, but there does seem to be a clear link with mirror-divination and scrying.

The set-up is simple enough. Sit in a dimly-lit room facing a mirror. You need to be able to see the detail of your face clearly. (Candle light is traditional, and the placement of the candle behind you is suggested, but I found that I could see bugger all that way. I had it in front of me, just to one side.)

Next, look at your own face. After a reasonably short time, you will see things. And they may be terrifying. Look long enough, and hideous gargoyles and demons await you.


Sounds great! Where do I sign?

Here is the Wikipedia link for the ‘game’.

Note that one of the explanations given for the effect is Troxler’s fading, which is exactly the same mechanism as in the lilac-circles illusion (the first one linked to above). But now we're not just talking about little lilac circles - we're talking about parts of a face vanishing, and our finely-tuned facial recognition systems scream at us that we’re seeing something that is just plain wrong.

If Troxler’s fading is the best explanation (I reasoned) then the most important thing would be to fix the eyes on one spot and try not to blink. The tradition isn’t very specific about technique, but when looking at a face it's more natural for your gaze to shift from eye to eye and around the features, rather than lock onto some fixed point, making the effect unlikely to occur.

The longer you can manage to fix on one spot, though, the stronger the effect could be. Those gargoyles and demons might be within reach. So I gave it a shot…


What happened to me

No doubt about it, I came away impressed. Troxler’s fading was, I think, the key mechanism. I was very aware of parts of my vision ‘dropping out’, and of how that effect lead directly to the more unnerving aspects of the experience. Small movements of the eye away from the fixed point could break the effect at once, while rigidly fixing the gaze meant the effect came on very quickly.

But what did I see? I'll list the notable results of various attempts...

The first thing that happened was that my eyes, and the region around them, seemed to brighten. The eyes were staring, and angry.

Next came a clear aging effect, which is commonly reported; my face looked haggard. Yes, more than normal.

My nose lengthened into a hook, and the staring eyes started to scowl.

The eyes darkened, malice within them. My right eye became an empty socket. Everything else disappeared, then: a blank face, staring back, leaving just the angry eyes.

My mouth widened, stretching out as my nose hooked again.

One of the most impressive moments: both eyes became empty holes, and I beheld an eyeless corpse. And not my corpse, mind. Someone else.

The experience was rounded off by an ancient malign face staring back at me, twisted and deformed.

(Oh, and then I thought I saw a spider on the wall behind me, just as the candle went out, but ignore that.)

Overall, it was a fascinating thirty minutes. I suspect I won't do it again.



As for my soul?


Well, it was perfectly safe, and I promise I wasn’t possessed. But then, I would say that, wouldn’t I?

I did record my session if anyone is interested. Forgive the poor quality (low lighting is a key part of the process) and the rough-and-ready editing to remove the lengthy pauses and chop 30 minutes down to 6.






Anyway, I have to get going - things to do! The Guardian of the Abyss awaits! Hail Choronzon!

Thursday, 30 October 2014

The Returned first review


The first review of my adaptation of The Returned has arrived.


"...an addictive read. It’s one of the most compelling novels I’ve read in a long time."

"I read it in just 24 hours, resenting any attempt to take me from it, such as work, food and sleep."

"...written by a hugely talented author who has real flare for spinning a supernatural tale. I cannot wait for Acolyte, the provisional title of the superb Reviver sequel."

"[a] truly unputdownable, jawdropping novel."


I'll take that!

So, you were wanting something to read at Halloween? Go on, buy a copy...

And don't forget, the Kindle version of The Reviver is just £1.19 at the moment, complete your Halloween experience!

Saturday, 11 October 2014

The Returned

My second book has just been published: the novelisation of French hit TV show The Returned.


I really enjoyed writing this - a whole new experience, to take somebody else's baby and turn it into a novel. I worked damn hard on it, and as always I hope it's a compelling read.

I'd love to hear from those fans of the show who read it. It's a faithful adaptation, but not slavishly so, and I'll be interested to know if readers like the differences.


Now, people keep asking me when the Reviver sequel will hit the shelves, and currently it's set for this June. That's only a year later than originally planned!

But, yeah. I feel an apology is in order. OK, I did write a whole other book in the meantime, but the major rewriting on Reviver #2 took far longer than I'd expected.

I think that's a general rule of writing. I can just picture my editor's expression every time I sent her another earnest email saying 'it'll just be another two weeks! Promise!'

Sure it will. Ahem.

It's coming, though... The original title Acolyte may change, so watch this space.

Meantime: buy a copy of The Returned! If you don't, they'll put me back in the cage again.

On Sunday night I'll be in London to present an award at the London Horror Festival. I'll report back afterwards and let you know how I get on with that dreaded 'public speaking' thing.

Oh yeah, almost forgot - the Kindle price of The Reviver is £1.19 at time of writing, so now's a great time to buy a copy of that, too, if you haven't already. Cage, see? Remember the cage.


Tuesday, 12 August 2014

Off to Loncon3...

I'm off to London on Thursday for Loncon3, which is hosting the 72nd World Science Fiction Convention. Plenty of interesting panels and gatherings going on over the five days of the Con, and I think I'm looking forward to it. Or I might be dreading it.

Not sure.

Confession: I'm not a social person. Indeed, since going full time as a writer last September my inner hermit has gone from strength to strength, and what limited conversational abilities I possessed have almost completely atrophied. Managing to string five words together coherently is now a *win*, but my special skill is that if I do somehow stumble onto a promising thread, I'll go with it however tedious or inappropriate it turns out to be, and ramble on about stuff until I realise I don't even agree with what I'm saying and finally drift into awkward silence.

Compounding this is the way I struggle to remember names, faces, or indeed any important information. Also, my powers of concentration fail me. You know that bit in Spaced where Daisy's having the job interview and all she can think about is the theme from Magic Roundabout? That.

So, Loncon3 is an opportunity to "sharpen" (salvage) my social nous. Wish me luck!

My wife has extracted a promise from me that I don't just stay in my hotel room every day and pretend to be finishing my next book. I'll do my best. I'll be in the Autographing area on Thursday from 1.30pm, so if you're around do pop along and say hello!

Meanwhile, I just spotted this:


which, given that there's this:


makes me wonder just how often this kind of thing happens in the world of publishing. You know that awful Charlie and the Chocolate Factory cover that bagged so much press last week? If that reappears as the German cover of Lord of the Rings, do not be surprised.

 

Saturday, 19 July 2014

And the winner is...


 
 
This year Reviver had the honour of winning the Audie Audiobook award in the Paranormal category, and it struck me how it was very much a shared honour – author, narrator, production team.

Look behind the Audie in the picture above and you’ll see a BAFTA, one that I was lucky enough to be presented with at the 2012 Video Game BAFTAs for Shogun 2: Total War. This is a more extreme case of shared honour – the development team had about 150 people. Only three get to accept the award on the night, and I was one of the few who got to shake the mighty hand of Dara O’Briain. (You can catch it on YouTube. Spot the moment where my wife (at home) was yelling at the TV for me to take my hands out of my pockets…)

But there’s an important point to be made here. With the BAFTA, I was part of a large team; with the Audie, I was part of a small team. The thing is, with Reviver the novel, I was also part of a team.

My ‘shared honour’ description in the first paragraph above is missing some people. Whenever you see the word ‘author’, don’t think of it as one person. Really, the creation of the text is a team effort. Agent, editor, copy editor, early readers – they all make a huge contribution to the final text, and without the help of a great editor a book is never going to shine.

Even once the text is locked down, the rest of the team comes into play: publicist, sales, design, and more.
Everyone who has a hand in the creation of a book deserves credit. I’m the jammy bugger who gets to take the award home...

Tuesday, 29 April 2014

You've gotta love Google Translate...


The paperback of the Spanish edition of Reviver is coming out in June:



The tagline 'la muerte no los hara callar' is based on 'Death won't silence them', which the original UK hardback used.

Google Translate renders this into something that makes me smile:


Death does not make you shut up


Now we know what to put on the cover of Book 2!


No such luck with the German edition, which is out in August; the subtitle is translated simply as 'Whispers of the Dead'.




Saturday, 12 April 2014

Too much fruit and veg is bad for you, says study

You remember the study that suggested the 5-a-day fruit and veg advice should really be 7-a-day? Or even 10-a-day?

Well, I just read a study that suggested – using exactly the same methodology – that 7-a-day is WORSE for you than 3-a-day. Yes, THREE a day.

And you know what?

It was the same study.



The current coverage of the Tamiflu scandal (and £500 million fraud) is one example of science being misrepresented for gain, but the recent paper suggesting that the current five-a-day fruit and veg advice should be changed to seven-a-day was another example.

And while not in the same ballpark of atrocity, it is, I think, worth pointing a shaming finger at.

While some media reports suggested the study had problems, there was a glaring issue that meant the researchers – or at least, whoever wrote the press release – should hang their heads in shame, as should the media for not calling them on it.

Because when it was time to create a press release, they took one result from their paper and went for the spin that would get the one thing they really wanted: media coverage.

Here is the paper.

Their conclusion is actually fairly reasonable. The problem is when the press release says this:

‘The study findings imply that even those who do get their recommended quota, need to eat more’, they say. ‘Is it perhaps now time for the UK to update the ‘5 a day’ message to ‘10 a day’? they ask.


This is nonsense, and it is intentionally provocative nonsense aimed at ensuring news coverage.

(Let's face it. This is how researchers get their grants.)

Hopefully, this is especially good news to all you evil parents who thought you were damaging your kids by only managing to give them 3 a day. You are not evil. Tired, but not evil.

I’ll remind you of the study. Take 65000 people, ask them about their lifestyles, and check back in eight years to see who died.

Then, try and work out (adjusting - somehow - for age, education, BMI and others) if the risk of death correlates to intake of fruit and veg.

The media tended to quote one set of figures that suggested that, relative to the baseline risk-of-death of people who ate very little fruit and veg (less than 80g a day), your risk of death decreased as follows (portion=80g):

Eating 1-3 portions a day: reduced by 14%
Eating 3-5 portions a day: reduced by 29%
Eating 5-7 portions a day: reduced by 36%
Eating 7+ portions a day: reduced by 42%

Wow! Look at that! Eating 7+ is 42% better! It’s 6% better than 5-7, and is 13% better than 3-5! And that’s science!

But not so fast.

The media were always going to focus on the most extreme of their results, and to suggest it’s quite so clear-cut is a teeny bit of a fib.


First, there is the simple fact that averaging out results can be uninformative at best, and at worst can be damaging. The results – and hence the advice – could be very different for men and women, for example, which is the case for the advice on daily calorie intake.

Luckily, the researchers give us a few of these alternatives, restricting the results to certain groups and seeing how the figures look. And they all pretty much say the same thing, right?

Wrong.

The most striking example was obtained by restricting the study to what they call never-smokers: people who have never smoked regularly, which was almost half of the study population.

The headline for this is very different: too much fruit and veg is bad for you.

What? How? The figures are as follows:

Eating 1-3 portions a day: reduced by 6%
Eating 3-5 portions a day: reduced by 24%
Eating 5-7 portions a day: reduced by 28%
Eating 7+ portions a day: reduced by 23%

The first thing to note is the big jump at 3-5, going from 6% to 24% reduction, which is encouraging for those of us who try but fail to hit the five. Then, 5-7 gets a modest improvement, with a 28% reduction. But look carefully at what happens next. The 7+ group have a… 23% reduction?

Yes, the 7+ group do worse than the 3-5 group.

The simplistic conclusion from this result would be that eating seven-plus portions, for non-smokers, is WORSE for you than eating 3-5 portions.

Now, the researchers were happy to suggest that public health policy should change based on a 6% difference in one set of results. Yet in another set of results, with a 5% difference that seems to imply that eating more than seven-a-day is a BAD idea, they don’t mention it.

(Note that the non-smokers had a much reduced risk anyway, so all these figures are relative to a baseline that already has a far lower risk of death than in the general case. That's right, folks - if worrying about not eating enough veg made you so stressed you needed a fag, you have just been the victim of the Universe's twisted sense of humour.)

It would be fascinating to see the figures for the have-been-regular-smokers group, as well as the current-smokers group, as they surely have to show a much larger positive effect for 7+ than even the media-friendly overall result showed.


Also, as the media did typically suggest, the idea that you can successfully adjust the figures for age, social class, BMI, etc (and, as in one great phrase in Table 5, “adjusted for age, sex, social class, cigarette smoking, BMI and all other fruit and vegetable variables”) is stretching things somewhat.

That kind of statistical messing-about might be useful to show that there is an effect, yes, but to suggest that the result is then something people can directly apply to their own situation is misleading. Because you have adjusted the figures.

As far as I can see, the paper itself doesn’t even go into detail on what magical techniques achieve this untangling of variables.

Now, I’m no statistician, but I suspect there’s more than one way to do it, which would seem to offer the opportunity for endless after-the-fact tinkering until you get the results you want or expect. Which is handy.

Add to this the fact that several different analysis methods were used, producing notably different results. Also, the media-quoted stats excluded people who had died within one year, in an attempt to exclude those who were seriously ill and hence may have adopted some emergency dietary changes (which would make healthy food unfairly correlate to being very sick). It would be interesting to know if the choice of a one-year cutoff was made because it led to the best results... Also, though - it was a shame that the public health questionnaires they got their data from hadn't asked pertinent questions about people's actual health, like 'have you dramatically changed your diet recently because of health issues', say, or 'are you really really ill'?



Last but not least: another problem is how broad the 95% CI ranges are.

In the figures given, they provided 95% confidence intervals. These (sort-of) are the expected range of the ‘actual’ values for the figures they give (more accurately, we would be 95% sure that another similar study would produce figures in those ranges).

Broad ranges are bad news… and these are broad.

For the headline figures, we have the following percentages quoted, here with the 95% CI ranges:

1-3: 14% (5%-21%)
3-5: 29% (19%-37%)
5-7: 36% (24%-47%)
7+:  42% (29%-54%)

These are pretty wide ranges. They’re all basically plus-or-minus 10%. If we had another study showing 29% across the board for everything from 3 and up, it wouldn’t contradict these results.

At all.

And they say we should change public health policy based on this?

Of course they do.

That way, it’s news. Any other way, and the study just gets ignored.






NOTE: Some of the figures in the paper are clearly incorrect. For example, the introduction quotes 48.4% of those in the study as having never smoked regularly, in a sample of 65226, yet the figure quoted as the sample size in the never-smokers result was 43973, which is actually 67.4% of the sample.

Also, one of the analyses quotes a study size of 84,894 participants. Out of the 65226 taking part.

Another point, though: Imagine how much fun it would be to have all this data publicly searchable…

(And yes, I do have a deadline approaching, which is why I ended up spending two hours reading a paper on vegetables...)



EDIT: I just noticed that in their results table, one of the sets of results is labelled 'physical activity years only', and those results are amazing compared to the others - I mean, they're really the best set of results they have, overall.

So, what does 'physical activity years only' mean? It must be meaningful, right? Maybe it rules out really old people who don't get around so much?

No. What it means is this: out of the years the data was collected (2001-2008),  only in some of those years were there questions asked about physical activity levels (2002, 2003, 2004, 2006).

So, that amazing set of results is for, really, just a RANDOM SUBSET of the data. The physical activity questions have nothing to do with the actual results. It does, though, give them a better hook to hang the results from than just 'random years which made the results look great'. They should have tried all possible combinations and subsets, maybe there would have been something even more misleading impressive.


 

EDIT: I also just noticed that my description of the study itself was wrong: the data came from surveys done over 2001-2008, but all the mortality data came from 2013.

In other words, the people surveyed in 2001 had an extra seven years to die compared to those in 2008. I don't think they specified how many deaths were recorded for each of the survey years, but I would be willing to bet that the people in the 2001 study showed the most deaths.

They also don't specify if the dietary habits showed any trends across each year, but it would be worth looking to see if fruit&veg consumption in 2001 was typically lower than in later years, since that would almost certainly be the year that would experience the most deaths, thereby biasing the link between deaths and lower consumption.

Thursday, 6 March 2014

Loncon3 homework

Recent SF-community strife looks to be settling again, so hopefully everyone attending Loncon3 later in the year can start to look forward to it. (In the meantime, remember to read all Internet content in the style of Adam Buxton’s BUG. Much funnier, and far less enraging.)

My first-and-only convention to date was the World SFF conference in Brighton last year, which highlighted a gaping hole in my knowledge of the genre. (I sometimes sort-of knew what people were talking about. Although, thinking about it, I get that for pretty much everything, not just SF...)

I plan to read some of the bazillion things that I Should Have Read between now and August, but this is an exercise I’ve done before.

Then, things went just-about-OK, but there were plenty of classics that I found myself shrugging at, bored by, or thought were just plain bad.

Problem is, I find myself short on patience these days, but still find it tough to stop reading a book I’m not getting on with. Reading through gritted teeth (erk) is not fun. The last to suffer this fate was Wolf Hall, which I loved until about half-way, when all my reading momentum seemed to vanish and I had no real desire to continue. (I think the not-my-cup-of-tea nature of the topic finally caught up with me.)

Books I love, I’ll read in two days. Books I hate, I’ll persevere with for weeks, until the tears set in.

Horrible truth of reading, that I spend most of my life reading books I don’t even like.

It doesn’t help that I’m a slow reader. At the World SFF con, one panel member spoke about how long a typical book might take people to read, and gave the upper bound at around six hours. I looked around the room hoping for raised eyebrows – my own rate would probably make it at least twice that.

This effectively makes novels twice as long, so I need to focus on my main preferences and hunt for the Ten Most Readable Great SF/Horror Novels Ever.

Suggestions welcome. Yes, even from you, Google Web Crawler.

Saturday, 1 March 2014

Offence is good


He’s a great big kid without an ounce of tact, he’s overpaid, and he’s married to the second-coolest woman in the universe. He’s also had the outrage of the Internet poured over his head.
Why Jonathan Ross should give zero shit about the SF community’s self-harm.
 
Wow, it’s been a busy day in British SF fandom.
Of course, to most of the world that’s means as much as a discussion on what font to use when writing about, say, milk, but please. Other things have been happening in the world besides Syria and Ukraine.
Anyway, the story is short: the Hugos (SF fan-voted awards nobody outside SF has heard of) were going to be presented by Jonathan Ross (British chat-show host and general geek celeb).  One of the committee resigned in protest citing Ross’s prior hosting controversies. The resignation was entirely heartfelt. Supportive Twitter outrage followed. Ross stood aside. Twitter counter-outrage followed.
It was slightly creepy to watch, at first, as Ross was depicted by some as a broadly unacceptable misogynist and hater of minorities, then abused by people who had never even heard of him. Whatever your feelings of Ross’s talents, he’s a genre champion with wide (British) recognition. The (let’s face it) entirely obscure Hugos - and indeed the fairly obscure SF genre - could have done with the press.
Part of the problem was the perceived chance of Ross causing offence.
Now in any community of reasonable folk, there’s a group that is morbidly averse to causing offence. With SF fandom currently embroiled in regular batches of soul-searching disarray, that group seems to have become the loudest. Those in the middle seem to feel the pressure to keep schtum, lest they be accused of a heinous whateverism and lumped in with the loud-as-always whateverists.
Yet offence can be good. Offence can be healthy. Say something funny, and get the audience to agree: wasn’t that a little close to the bone? Wasn’t that too much?
It’s not easy. It’ll likely go a bit wrong. Even if it’s done well there’ll be a degree of apoplexy out there, amplified beyond measure in the destructive way the Internet does so well.
But if you remove all chance of offence, become so timid that any potential for it is murdered at birth? That, I would suggest, is actively bad, actively unhealthy.
It’s also - to the rest of the world - self-righteous, po-faced, and hilarious. This may not be the best face for any community to present.
Irony looms large in this story. A genre champion with huge media recognition and a massive Twitter following has been hounded out by a minority mob preaching liberal values while lobbing invention and misrepresentation. (The initial post that started the ball rolling based its damnation of Ross on him being excessively sweary in a previous hosting role, and on a Daily Mail (!) collection of prior controversies that included his observation that not enough black people were presenters on the BBC. Damning stuff!)
It’s broadly a failure of sense. No sense of proportion, and no sense of humour.
And with Ross kicked off in such a dramatic fashion, there may well be media interest. It’s a great story, after all! Maybe in a roundabout and negative way, the Hugos will get some of that much-needed press.
So, whoever gets the gig in the end, please. Please.
Offend. Wittily, affectionately, mercilessly, offend. The genre community is in dire need of it.
 
 

Monday, 13 January 2014

Origins


With the paperback of The Reviver being released on Thursday, it’s a good time to look back at how the book came about.

There are plenty of people who deserve my thanks, but the two most directly responsible for the birth of the book are bestselling British crime author Peter James, and American master of Gothic, Edgar Allan Poe.

It was back in 2004 that I joined a writing course run by Peter James, and the homework Peter gave us at the end of the first lesson was this: write the first page of a scary novel, introducing your protagonist and a murder weapon.

He’d spent much of that first lesson drilling into us the importance of grabbing your reader on page one, so I knew I needed something different. We were going to be reading our work out to the rest of the class, something I hadn’t had to do since I was at school, and I wasn’t looking forward to it.

I had a week to get it done, but it wasn’t going to be easy. By ‘first page’, Peter meant the first 250 words – the first page of a manuscript that a prospective agent or publisher would read. And, unless you got their attention, it could well be all that they would read.

It’s a great writing exercise, because 250 words is a lot shorter than you might think – by the time you’ve read to the end of this sentence, you’ve already read over 250 words in this blog.

Days passed, and I’d come up with nothing. The idea finally came when a friend showed me Wikipedia’s entries for specific dates, letting you see who you share a birthday with. That’s where Edgar Allan Poe came in: we were both born on January 19th. The thought of Poe brought back two of his most memorable tales: Murders in the Rue Morgue, widely considered to be the first modern detective story, and The Facts in the Case of Monsieur Valdemar, in which a man hypnotises a terminally-ill friend who then continues to speak after dying.

The image of the detective in the first story talking to the corpse from the second flashed into my head, and I had my opening! When I came to read it out, the response was fantastic.

Over the rest of the course, that one page became the first chapter. The reaction and encouragement I got from Peter spurred me on: to continue with the story, complete a novel, then hone it until the time came to send it to an agent.

It took a while, but it finally happened.

Now the paperback is coming out, appropriately enough, in the same week as Edgar Allan Poe’s birthday.

And if you want to read that first page? It’s there in the Amazon preview, and it’s hardly changed since I first wrote it.


Tuesday, 31 December 2013

2013

The end of a big year, one that saw my first published novel, and me going full-time as a writer.

The UK paperback edition is ready to go:




With the new cover and a tweak to the title, it’s going for more of a crime look. Out 16th January, the same week as Edgar Allan Poe’s birthday. It also includes a short story that was previously only available with the ebook version, called ‘The Death of Never Geary Will Be Televised’. (Which does not, be assured, feature the death of Never Geary.)

Remember, if you’ve read it and loved it, tell a billion other people! Or thereabouts.


Busy year ahead. I’m currently finishing off book 2, then I’ll be getting stuck in to the novelisation of French TV hit The Returned before rounding off the Reviver trilogy with – yes! – book 3.


So at this point of reflection, do I have any plans to change my ways in the coming year?

Well, I could vow to use Twitter and my blog more – AGAIN – but we both know where that ends up. I’ll vow to at least try and think about it. Take it, it’s the best you get.

I certainly vow to read more than I managed last year. I may have actually got the hang of stopping reading books I’m not getting along with. I still feel bad about doing it, but I finally realised that books I love I can read in two days, while books I don’t take weeks, meaning the majority of my reading life has been spent on books that just aren't for me.

That’s something I plan to change.

Finally, I vow to fit in plenty of messing about with stuff that is great fun and in no way helps to get the writing done. It always helps to commit to something you know will happen anyway.

Have a great year!


Tuesday, 22 October 2013

Childhood dreams


When I was a kid, I knew that when I grew up, I wanted to write novels or write games.
Neither was likely, I thought, and by the time I was in my twenties I was pretty damn sure I didn’t have what it took to do either. Writing prose, I discovered, was tough, and I didn’t have the discipline. Meanwhile, the games industry only had room for the supremely talented, the ones who lived and breathed coding.
By the time I hit thirty, though, games were big, and the studios had grown. A coder no longer needed to be an obsessive genius, the studios needed us ordinary folk too. I thought: what the hell. Why not give it a try?
Half a dozen interviews later, I had a job at The Creative Assembly, a studio that had just released Shogun: Total War. I would stay there for the next thirteen years, and I loved it.
I worked on Rome: Total War, and the BBC and History channel programme Time Commanders; Empire, Napoleon, Shogun 2, and Rome 2 followed. I was lucky enough to be one of those who picked up a BAFTA, representing the whole team, for Shogun 2.
There was something else, though. Landing that job, and fulfilling a childhood dream, had made me try my hand at writing again. It was in 2004, just after the launch of the original Rome: Total War, that I started writing Reviver. It took me a while, but in June 2013, it was published, and I had a further two novels in the series to write. Thing is, working in the games industry isn’t easy. It’s hard work, and it needs dedication. At times, it takes every piece of spare time, and every drop of energy you have. It was nine years from starting on Reviver to publication, and suddenly I had to finish a book in a year.
Then, last October, Legendary Pictures bought the movie rights to the novel, and things changed. I handed in my notice, with the longest notice period they’d ever had: I’d see Rome 2 through to release, and then I would go full time as a writer.
It was all a bit of a whirlwind, of course. The ‘every piece of spare time and every drop of energy’ rule had come into play for Rome 2, and as a result Reviver Book 2 was running late, but then, suddenly, it was time. My last day was Friday 13th, exactly thirteen years after I’d joined. No omens there!
I bade a fond farewell to my colleagues, and wished them the best of luck with all future projects. As a leaving gift, I got a giant bag of jelly babies and a bottle of JD the size of my head.
I wasn’t a game developer any more, but one childhood dream had been replaced with another: I was a full-time writer.
And I had a bottle of JD the SIZE OF MY HEAD.
This may not have been a childhood dream, but... maybe it should have been? There can be no downside to that one.

Thursday, 25 July 2013

Review update!

First, to those asking for updates on progress with Legendary's REVIVER movie, the script is currently being written. Patience! The folk at Legendary are a little busy with Man of Steel, Pacific Rim and Godzilla at the moment.

Second, I've not posted up any review links since launch day, so I thought it was about time to round a few up...


www.impactonline.co/reviews/1346-the-impact-review-reviver

"gripping and unique... Reviver is one hell of a fantastic ride, an amazing first novel. I’ll be keeping my eye on Seth Patrick; he’s bound to rise high in the genre."


www.guardian.co.uk

"a skilfully plotted and compulsively readable supernatural thriller"

 
www.lep.co.uk/what-s-on/reviews/books

"From its arresting first sentence through an opening chapter that is so irresistibly and hair-raisingly seductive and into a story bristling with originality and descriptive excellence, this is truly a book to savour.

...melds crime and the paranormal in a cracking, page-turning thriller.

An impressive, intelligent and exciting debut."

 

readerdad.co.uk/2013/07/12/reviver-by-seth-patrick/

"Crackling pace, believable science and characters worth spending some time with make Seth Patrick’s debut a must-read for fans of horror, crime, science fiction, noir.

Without doubt, one of my favourite books of the year from an author whose novels are sure to become a regular feature on my bookshelves. You can’t afford to miss it."


 
zombiehamster.com/reviews/books/reviver-seth-patrick-2/

"walks the line between criminology thriller and supernatural fantasy exceptionally well"


 
 www.milorambles.com/2013/06/09/reviver-by-seth-patrick-book-review/

"Impressive, intelligent and well crafted.

If you’re a fan of the supernatural, horror or the crime thriller genre then I think you’ll love this book. For some reason I couldn’t get Michael Koryta out of my head when reading Reviver, it’s that good!

Dark, accomplished, exceptional and rare."




Tuesday, 23 July 2013

Total War: Rome 2 Takeover

REVIVER author by night, games developer by day, that's me.  And given that I'm in the final few weeks of getting Reviver Book Two finished while also in the final few weeks of development on Creative Assembly's latest game, I'm VERY BUSY.  More coffee!

That new game is the massive (in every way!) Total War: Rome 2.

I've come full circle: nearly thirteen years ago, when I first got a job with Creative Assembly, it was to work on the original Rome game.

The world's gaming media were there for the Rome 2 preview event that was held earlier this month in Cinecitta Film Studios in Rome.  Within a huge marquee in the middle of the vast set of HBO's Rome, journalists were given the first taste of the new game, playing through the Prologue Campaign.

I was very lucky to be one of the developers attending, ready to give help when needed, and I thought I'd share some pictures of the event to whet your appetite. No spoilers, mind you - you'll have to wait until the likes of Gamespot, IGN and Eurogamer give their take on what they saw.

It was a great day. Incredibly hot, and our nerves were going as the temperature in the marquee soared, but even though some of the PCs got hot enough to melt lead, we had surprisingly few failures, thanks to the top notch IT support we'd brought with us.  All those sacrificial offerings had paid off!

Arriving in Italy, we soon learned that Sega (who own Creative Assembly) also happens to be an Italian slang word for, er, masturbation. A quick change of T-shirt was in order for some, who'd been wandering through the airport and the hotel lobby, oblivious that they were wearing shirts with WANK on 'em. Luckily I'd been wearing my REVIVER shirt. Shameless self-promotion never did anyone any harm...

Here I am, just to prove I was actually there:





Sprawling back streets with genuine Roman graffiti...

Note the authentic ancient Roman fire extinguisher, the Romans being famous for their insistence on Health and Safety. You can never be too careful when there are pigs around...
 
 



The game awaits...

 
 
The troops assemble outside ready to drill. "Ctrl-A attack, lads!"
 


Night falls, and the traditional Ancient Pink Lighting kicks in. Ale from all conquered lands is summoned!

Total War Devs, ogling genuine old stuff in the actual real world. WHAT! GET BACK TO HORSHAM AND WORK!

The Colosseum part of the set, very impressive. Hang on...

Pantheon-like temple on set... and how everything looks from inside, when you fall through what you thought was stone.


The actual Pantheon. Bigger, and more made-of-actual-stone.
 
Well, that's it for my Preview of the, um, Total War: Rome 2 Preview. I have to go and work on my book, now. More coffee!



Sunday, 23 June 2013

Launch day!

It was in October 2011 that Reviver was bought by Pan Macmillan. Finally, last Thursday, 20th June 2013, the official UK launch date arrived.

The first order of the day was signing a stack of books...






Then, signing another stack of books...




Then, to Forbidden Planet, where I signed another stack of books - BUT only after I'd read the first chapter of Reviver. I like reading that chapter. The previous Monday I'd read it at the Jubilee Library in Brighton, in a joint event with Peter James. It went down a storm there, too. If you haven't read it yet, well, isn't it about time you did? The Amazon preview lets you, go ahead...

Books were signed, drinks were had, and, er, Portal merchandise was bought. (I was in Forbidden Planet.  It happens.)

My shed is safe.



Geek highlights - apart from 'launching your novel in Forbidden Planet' - were:

  • signing the Forbidden Planet visitor's book right after Neil Gaiman:



  • signing a bunch of autograph books (and an Encyclopaedia of Science Fiction) and having to find spaces between the signatures of, among others, Brian Aldiss and Clive Barker.

Thanks to all who wished me luck, especially Chris Fowler and Pat Cadigan - much appreciated!

Afterwards it was off to a suitably murky pub for some suitably murky drinks, in the kind of company where you mention authors whose books you just bought and discover you're actually talking to their agent. That's publishing!


Well, now the book's out there, and we'll see how the little tyke gets on in the real world.

Good luck, kid! (pinches cheek) Go scare some folk!


Tuesday, 28 May 2013

It's here!

My first copy of my first novel came today, in all its glory. 

Its arrival brought to mind the bit near the end of Back to the Future, when George McFly’s novel shows up. The part of the movie where I actually found myself being jealous. 

Jealous of George McFly.

Well, here it is:


A beauty! I peek at it every few minutes, just in case it’s disappeared in some unexpected alternate timeline subplot.

…Still there!


Elsewhere, I popped up in the new issue of SFX magazine, along with a great full-page ad for Reviver that carries the wonderful line: "The Dead no longer have the right to remain silent." I like that.


As if that wasn't enough, I also featured in an article in the Sunday Times this week, under the computer-geek-makes-good narrative. Pretty fair I guess.

For those who asked, the bit in the article about me and my wife having a cinema trip as our honeymoon was indeed true. Ten years ago, our dream honeymoon would have left us in debt for an age, so rather than compromise we opted not to have one at all. Besides, our daughter was six months old, and not conducive to relaxation. Meanwhile we’d not been to the movies together since she’d been born, and hell – the sequel to one of our all-time favourites was on!

How could we not? It was meant to be!

That movie was The Matrix Reloaded.

Let us never speak of this again.


I also had my first on-camera interview, for the good folk at Book Zone TV.  The opening question was:  “So, your new book Reviver… what’s it about?” 

Wasn’t expecting that. (Seriously.) It took a few tries. Once I got going, though, I think it went pretty well.  Here it is...  how did I do?


Now, with only 22 days until Reviver launches in the UK, things are ramping up. I have an event in Brighton Library on the 6th of June, me and Peter James talking about our respective new books, assuming Peter can avoid serious injury. Did I, er, mention I fell off my bike? While stationary?

Then, 20th June, Reviver launches at Forbidden Planet, London. I’ll be doing a reading, before signing books and getting entertainingly drunk. In that order.

Hope to see you there!

I’m just a little bit excited.